Flipping through the pages of history books and reading word
after word on historical events such as the great migration, often does not
give justice to the topic at hand. African American human identity is spread
widely throughout the celebration of their heritage. Spanning the 1920’s and
1930’s, the Harlem Renaissance was not only a time of industrial growth, but
also a time that allowed this vivacious culture to broaden their horizons
through various art forms.
A popular series of paintings during the time of the Harlem
Renaissance was known as the ‘Aspects of Negroe Life’. In these assorted depictions
of people, painted in all different shapes, sizes and colors, movement and
dancing becomes an apparent common theme. The African setting and tribal
element shows exclusivity, while at the same time giving off a warm and
inviting vibe. Through the paintings various tones and dimensions, one is put
directly into the position of the curious observer.
Pieces of art such as the 1934 painting titled, ‘Song of the
Towers’ portrays warmer colors that are soothing for the observer. On the other
hand, the painting also contains silhouettes of humans in deep, dark colors
that entrance the painting’s audience. Looking more closely, references to modernization
can be made through the incorporation of a type of industrialized wheel. Their
will to revolutionize is apparent.
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